Taking it's predecessor and amping things up more, more, more, and more, it's a Kama Sutra of violence, staging ever possible martial art move in every possible location with every possible camera angle with every possible sound effect with every possible weapon. Subscribing firmly to the sequel formula that more is indeed better, Gareth Evans' The Raid 2 is the cinematic equivalent of chasing a box of doughnuts with a case of Red-bull and a package of stimulants. "I don't eat, I just devour, everything in every hour." "Too much of anything is too much for me, too much of everything is too much for me." Everyone has to be in perfect unison or else.things wouldn't end well. And that while executing the fight choreography too. One mounted in front of camera man #2, and one behind camera man #3.įast enough, I'm fairly sure. What I love about the GIF too is that, in order to capture it all, they have three additional cameras filming the whole thing. If you break it down, you have:Ĭamera Man #1 rolls on up to the vehicle and pushes the camera into the car via the front left window.Ĭamera Man #2 (in his stealth leather-seat costume) grabs the camera and moves it out the complete opposite window (rear right).Ĭamera Man #3, attached to the side of the fucking car, grabs the camera and holds it steady as the next car comes speeding down the road.Īll while moving at not "high" speed but fast enough that if someone fucked up then someone would be dead.
0 Comments
Leave a Reply. |
AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |